īy 1940, Leslie decided his prototype was ready to market, and went to the Hammond Organ Company to demonstrate it. After further experimentation, he decided that splitting the signal into a rotating drum and horn helped accentuate bass and treble frequencies. He tried various combinations of speakers and speeds, and discovered that a single one running at what's now known as the "tremolo" speed worked best. He set out to emulate this by making a moving speaker. He initially tried making a cabinet similar to Hammond's, but soon concluded that pipe organs produced a spatially varied sound because of the different location of each pipe. Consequently, he attempted to design a speaker to overcome this. He was disappointed, however, with the sound in his home compared to the large showroom where he originally heard it. He bought one in 1937, hoping it would be a suitable substitute for a pipe organ. ![]() Leslie worked as a radio service engineer at Barker Brothers Department Store in Los Angeles, which sold and repaired Hammond organs. History Identification plate with the slogan "Pipe Voice of the Electric Organ" These include the Uni-Vibe, the Neo Ventilator, or Hammond-Suzuki's own simulator in a box. Suzuki Musical Instrument Corporation subsequently acquired the Hammond and Leslie brands.īecause the Leslie is a sound modification device in its own right, various attempts have been made to simulate the effect using electronic effect units. In 1965, Leslie sold his business to CBS who, in 1980, sold it to Hammond. It soon became an essential tool for most jazz organists. ![]() The sound of the organ being played through his speaker received national radio exposure across the US, and it became a commercial and critical success. Hammond was not interested in marketing or selling the speakers, so Leslie sold them himself as an add-on, targeting other organs as well as Hammond. The speaker is named after its inventor, Donald Leslie, who began working in the late 1930s to get a speaker for a Hammond organ that better emulated a pipe or theatre organ, and discovered that baffles rotating along the axis of the speaker cone gave the best sound effect. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as " chorale" and " tremolo". A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker-though specific components depend upon the model. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A similar effect is provided by a rotating system of horns in front of the treble driver. The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. We sent the Delay Llama to the future and it finally made its way back with a taste for the XTREME! So strap in, get comfortable and ride this Llama into uncharted sonic fields.Problems playing this file? See media help. Pitch-shift: this mode will give you 5 distinct pitch-shifted intervals and 5 playback patterns the last of which is a 5-mode sequencer.Random: this mode randomly changes the ms value of the repeats over fixed time increments resulting in abrupt pitch and rhythmic changes.Tape-age: this mode emulates the slight and random pitch variations (warble) a physical “worn-down” tape would produce in vintage tape-echo machines, w/ control for frequency of deviation occurrences.Vibrato: sine-wave LFO modulation w/ controls for Depth and Speed. ![]() These 4 XTREME modes are the result of us experimenting with the Delay Time and musically taming it to create inspiring trails effects. It also features 4 trail effects you can get lost in for hours on end! delay time, tap tempo w/ subdivisions, hold function, kill-dry, trails (buffered) OR true bypass modes, delay time expression pedal / CV input, remote tap tempo input and remote preset selection input. It comes equipped with 4 presets, 800ms of max. Featuring 3 x 3205 BBD chips and a thoughtful layout, the Delay Llama XTREME appeals to traditional delay users and sound explorers alike. ![]() The Delay Llama XTREME introduces new functionality and exciting features to our Delay Llama series, challenging preconceived notions of what an analog delay pedal can do.
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